Saturday, January 2, 2016

Pilgrimage to Roma & Assisi, 2015AD

Pilgrimage to Italia, 2015AD


This blogger recently went on pilgrimage to the Eternal City of Roma, Lazio, and Assisi, Umbria, Italia, along with Vatican City.  This post forms a sort of travel log of the visit -- with photos only taken on the trip and the date recorded.  It is ever a wonderful opportunity to travel ad limina apostolorum on pilgrimage; certainly part of living well!  

Formatting key (at least as much as this blog supports any manner of consistent formatting!)
  • Sites in BOLD are those visited or viewed by the whole group
  • Those in regular print were only visited by this blogger in smaller, optional groups.
  • Italics indicate that a site was visited
  • Non-Italics were only viewed from the exterior!
Monday, 23 November

·        Casa per ferie Santa Maria alle Fornaci:  This was the Trinitarian-run hotel where we stayed for the duration of our visit.

·        Santa Maria alle Fornaci: This was the Trinitarian church next to the Casa where we stayed.  It was never part of any tour, but it was our neighboring church!


·         Piazza San Pietro:  [St. Peter’s Square] The famous piazza in front of the Basilica of San Pietro in Vaticano [St. Peter’s at the Vatican] is notable for the views of the colonnade by Gianlorenzo Bernini, the façade by Carlo Maderno, and the dome designed by Michelangelo.

·         Borgo Pio:  This is one of the more concentrated areas of religious goods shops, located between the Leonine Wall and the Via della Conciliazione.

·        Santa Maria in Traspontina:  This is the Carmelite church on the Via della Conciliazione between St. Peter’s and the Tiber River.


·        Castel Sant’Angelo:  This was originally the mausoleum of the Emperor Hadrian, later converted into the fortress-palace that it is today.

·        Ponte Sant’Angelo: [Bridge of the Angels] This historic bridge crosses the Tiber next to the imposing Mausoleum of Hadrian (Castel Sant’Angelo) and affords great views of St. Peter’s.  Of course, the sculptures of the angels with the instruments of the Passion by Bernini and his school are memorable.


·        San Giovanni dei Fiorentini: This is the Florentine church in the city of Rome.  San Giovanni is right across the Tiber from St. Peter’s.  It is also noteworthy for the statues on the façade, for the statue of St. John the Baptist over the altar, for the dome by Carlo Maderno, who is buried here along with Francesco Borromini, and the relic of the foot of St. Mary Magdalene.

·         Porto Santo Spirito: This gate in the Leonine Walls of the Vatican side of the Tiber, which date to the 9th century, was designed by Antonio da Sangallo the Younger in the 16th century.

·        Santo Spirito in Sassia: Once the home of the Saxons in Rome, it is now the focus of the Divine Mercy devotion in the city.  The current church bears the architectural mark of Antonio da Sangallo the Younger.

Tuesday, 24 November

  • Chiesa Nuova:  [New Church]:  This, officially called Santa Maria in Vallicella, is the burial place of St. Philip Neri.  It is a sumptuously decorated baroque church on the Corso Vittorio Emanuele II. 

  • Santa Maria della Pace: We viewed this Church’s semi-circular portico, by Pietro da Cortona, from the outside.


  • Santa Maria dell’Anima:  This is the German national church in Rome, and the burial place of Pope Adrian VI, the last non-Italian pope prior to St. John Paul II.

·        Piazza Navona:  This oval piazza was once the Circus of Domitian, and today is the site of three fountains, the largest being Bernini’s Fountain of the Four Rivers at the center of the Piazza.


·        Sant’Agnese in Agone:   This Church on Piazza Navona was designed by Francesco Borromini, and sits on the site of the martyrdom of St. Agnes.  Her skull is kept here in a side chapel.


·        San Agostino:  This church of St. Augustine has several notable sites and pieces of art: the tomb of St. Monica and a painting of Our Lady by Caravaggio.  It has a ceiling similar to that of Santa Maria sopra Minerva, i.e., painted blue with stars.  Here is a video, taken from our visit, of the apse and then to the left, the chapel where St. Monica is buried:





·        San Luigi dei Francesi:  This baroque church is the French national church in Rome.  The Caravaggio paintings of St. Matthew are its most famous feature.


  • Santa Maria sopra Minerva:   This Dominican Gothic church, with its memorable blue, starry ceiling, is the burial place of, amongst others, St. Catherine of Siena, Beato Fra Angelico, Pope Clement VII, and Pope Leo X.  The statue of Our Lord by Michelangelo and the Bernini elephant obelisk in the piazza out front are notable.  So, too, is the Carafa Chapel, in which Pope Paul IV is buried, and which features magnificent work by Filippino Lippi.


  • Sant’Ignazio:   This Jesuit baroque church of Saint Ignatius of Loyola is the burial place of Saints Robert Bellarmine (author of Ars bene moriendi, tomb pictured above), Aloysius Gonzaga, and John Berchmans.  The ceilings that “open to the skies,” and the false (painted) dome make this church memorable.  The piazza out front is a wonderful example of 18th century urban space architecture.

  • Piazza della Rotonda:  This is the city square in front of the Pantheon, marked with the obligatory fountain and obelisk of a great square.


·        La Maddalena:  This Roccoco Church dedicated to St. Mary Magdalene is the burial place of St. Camillus de Lellis, and a wonderful example of 18th century baroque.


·        Pantheon: [Church of Our Lady of the Martyrs]: This unusual church was once a pagan temple dedicated to “all the gods” constructed in the waning years of the Roman Republic, and completed during the reign of the Emperor Hadrian.  It is notable for its massive concrete dome, the tomb of Raphael, and the tombs of the liberal 19th and 20th century Italian kings, including King Victor Emmanuel II.


  • Area Sacra dell’Argentina:  This archeological site features Republican era temples, and the site of the assassination of Julius Caesar in 44BC.
·        Campo de Fiori:  This piazza is a famous street market in Rome, known for its flowers, and for its statue of the unfortunate fellow executed in the place, the heretic Giordano Bruno.

  • Piazza Farnese: This piazza is dominated by the impressive Palazzo Farnese, constructed for Cardinal Farnese, later Pope Paul III, who opened the Council of Trent, by Antonio Sangallo the Younger and Michelangelo, is now the French Embassy in Rome.

  • Via Giulia:  This uncharacteristically straight road was laid out by Bramante for Pope Julius II, and makes for a splendid 16th century architectural walk.  Along the way, we admired the façade of the church, Santa Maria dell’Orazione e Morte (pictured above).


  • Santa Maria in Monserrato:  This is the Spanish national church in Rome.  It is a charming church, whose side chapels were decorated with nativity scenes from various Hispanic nations for Advent.


  • San Salvatore in Lauro: This Church off of the historic Via della Coronari sat near the Ponte Sant’Angelo where a grove of Laurels once grew.  This is the burial place of Pope Eugene IV and the site of modern devotion to Saint Pio and St. John Paul II.

Wednesday, 25 November, Assisi



  • Porta Nuova: This gate is the easternmost in the upper city, and was our entry way into Assisi.


  • Santa Chiara: This pink and white church is the location of the tomb of St. Clare.  It also houses the San Damiano cross of St. Francis of Assisi.


  • San Rufino:   This is the cathedral church of Assisi, and the place where St. Francis, St. Clare, and Emperor Frederick II were all baptized.  It has a splendid Umbrian Romanesque façade.


  • Piazza del Comune:  This is the main, central square, of Assisi, location of the medieval bell tower, city hall, a fountain, and the church of Santa Maria sopra Minerva.


  • Santa Maria sopra Minerva in Assisi:   This church, formerly a pagan temple to Minerva, is marked by its columns and bell tower our front.  Inside, it has baroque furnishings, and a striking painting of the death of St. Joseph.


·        Chiesa Nuova in Assisi: This was the baroque church commissioned by King Philip III that marked the birthplace of St. Francis of Assisi.  Here, too, is the cell in which St. Francis was detained by his family.


  • Santa Maria Maggiore in Assisi:  This Romanesque church was the cathedral of Assisi until 1020, and remains the site of the bishop’s residence.

  • San Francesco:  This 13th century Italian Gothic basilica is the location of the tomb of St. Francis of Assisi.  It is notable for its rather extensive frescoes of the lives of St. Francis, St. Martin and many others.  It sits at the west end of Assisi.


·        Santa Maria degli Angeli in Assisi:  This is the church inside the church: the basilica that houses the Porziuncola, the little chapel restored by St. Francis.  It was here in the valley below the town of Assisi, and inside the grounds of this basilica, that St. Francis died.

Thursday, 26 November
·        Vatican Scavi: the excavations under St. Peters, which include the pre-Constantinian necropolis and the actual tomb and bones of St Peters.

Above: Altar of St. Joseph at San Pietro in Vaticano


·        San Pietro in Vaticano:  We heard a public Mass at the altar of St. Joseph, burial place of Sts. Simon and Jude.  After Mass, everyone had an opportunity to look about the Basilica: the tombs of St. Gregory and St. Leo the Great, along with St. Pius X and St. John Paul II were highlights.  Certainly, too, all noted the baldachin and altar of the chair by Bernini, and the statue of St. Peter by Arnolfo da Cambio.  On other days, we heard Mass at the altar of Sts. Processus and Martinian said by our chaplain.

  • Santa Maria degli Angeli:  This massive Renaissance Church was designed by Michelangelo, who built it into the baths of Diocletian.  The exterior, clearly part of the old Roman ruins, little prepares one of the scope of the basilica inside.

·         Santa Maria della Vittoria:   This little baroque gem is a splendid example of that architectural style.  Here is housed the famous Bernini statue of St. Teresa of Avila in ecstasy.  This is also the location of the tomb of St. Victoria.



·         Santa Susanna:   This, the American church in Rome, boasts a façade by Carlo Maderno.  That was as much of the church as we were able to admire on our visit.


·         San Bernardo alle Terme:   This austere Cistercian church in Rome was once the titular church of St. Pius X when he was a cardinal.  Only the dean and his wife visited this church, while the rest of the group noted it from the exterior.


  • Santa Maria Maggiore: [St. Mary Major]: This Patriarchal Basilica stands on the Esquiline hill, where, on 5 August, it once snowed to indicate the place the church was to be built.  This is another church packed with notable items: the tombs of St. Pius V, Popes Paul V, Sixtus V, Clement VIII, St. Matthias, St. Jerome, Gianlorenzo Bernini, the crib of the Nativity, and the miraculous image of Our Lady Salus Populi Romani.  For those interested, the Torriti apse mosaic, the Cosmatesque floor, and the gold ceiling decorated with the first gold brought back from the New World, are worth noting, as well.

·        Santa Prassede: Aside from its splendid 9th century mosaic, this church is known for housing the pillar of flagellation.

·        San Alfonso:  This more modern Redemptorist church is the location of the original image of Our Lady of Perpetual Help.

·        Arch of Gallienus:  Perhaps a few noted that we walked under this arch, formerly the site of the Esquiline Gate in the Servian Wall.

Friday, 27 November
  • Piazza del Campidoglio:  We walked through this magnificent square on the top of the Capitoline Hill, next to the city hall of Rome.

  • Roman Forum:  We walked past this massive archaeological site, the heart of Classical Rome.  We particularly noted the triumphal arches – of Septimus Severus, Titus, and, closest to the Colosseum, of Constantine.

  • Colosseum:   This, the Flavian Amphitheatre, is one of the iconic symbols of Rome.  It was constructed by the Flavian Emperors from 72-80AD.

  • Santa Francesca Romana:  This church, tucked next to the forum not far from the Colosseum, is the burial place of St. Frances of Rome, whose skeletal remains are visible to visitors.  It is marked by baroque interior decorations along with Romanesque elements, like its bell tower.

  • Santa Maria dei Monti:  This 16th century church is the burial place of St. Benoit-Joseph Labre.

  • Ss. Sergius e Bacchus:  This little church is currently run by Ukrainian Catholics.


·        San Pietro in Vincoli:  This church is the home of both the relics of the chains that bound St. Peter – displayed at the high altar – along with the statue of Moses by Michelangelo, in what was part of his funeral monument for Pope Julius II.

·        San Clemente:  This was the twelfth-century basilica that was run by Irish Dominicans.  It had a wonderful mosaic of the cross being the source of life for a vine, along with a courtyard out front, and two layers of excavations (both a 4th century church and 1st century temple of Mithras).


·        Scala Santa:  [The Holy Stairs]: These stairs were those brought back from Jerusalem by St. Helen. They originally lead to the Praetorium there, where Our Lord would have been questioned by Pontius Pilate.  Upstairs is the “Holy of Holies” where an image reputed to have been painted by St. Luke is kept.  On the side of the building is a mosaic that would have once been in the Lateran Palace, and date to the pontificate of Pope St. Leo III around 800AD.


·        Santa Croce in Gerusalemme:  This church is on the location of what was once the palace of St. Helen.  Here is housed the relics of the Passion: part of the inscription, a nail, a couple of thorns, parts of the True Cross, the cross beam of the good thief’s cross, and the finger of St. Thomas.


·        San Giovanni in Laterano: [St. John Lateran]: The pope’s cathedral, this basilica is packed with numerous items of note.  The Borromini interior and the Galilei façade can hardly compare to the spiritual riches: the relics of the heads of Peter and Paul, the table of the Last Supper, the papal altar of St. Peter, the tombs of Popes Leo XIII, Innocent III, and Martin V.  The obelisk next to the basilica, decorated in hieroglyphics, happens to be the oldest in Rome, brought to the city in 357AD by Constantine II, but originally from the Temple of Amun at Thebes, Egypt, constructed in the 14th century BC.  We heard a public Mass here in a side chapel.

Saturday, 28 November
Not a church: a car along the Tiber River abandoned to the guano of the starling


·        Tiber Island:   Walking across the island in the Tiber River, we saw a few sites of note, including San Bartolomeo all’Isola. This Church on Tiber Island is the location of the relics of St. Bartholomew the Apostle.  Sadly, it was closed to visitors when we came by.  Ponte Cestio and Ponte Fabricio: The two bridges to Tiber Island are two of the oldest across the river in Rome.  Ponte Cestio crosses from the island to Trastevere and was restored in 370AD, while Ponte Fabricio from the island to downtown Rome and the Ghetto was built in 62BC.

·        Ghetto:  This neighborhood, dominated by the Synagogue of Rome, with its squarish dome, was the center of the Jewish population of the city, and the required residence of Jews during much of the Papal rule of the city.


·        Santa Maria in Campitelli:  This church, designed by Carlo Rainaldi in the 17th century, was built to house the image of the Madonna del Portico.  Today, it is also the home of the tomb of St. John Leonardi.


·        Chiesa del Gesu:  Often referred to simply as “The Gesu.” This is the Jesuit headquarters church in Rome.  It is a splendid baroque church – the prototype of this style, in fact.  Here is buried St. Ignatius of Loyola, and is housed the arm of St. Francis Xavier.  Our group heard a public Mass here in a side chapel.


  • Theatre of Marcellus:  This Imperial Theatre turned medieval fortress was originally constructed by the Emperor Augustus.

  • San Nicola in Carcere:  This medieval church sits on the site of Republican-era Temples, turned later into the location of a prison.

·        Arch of Janus:  This Constantinian-era arch is distinctive for its four piers.


·        San Giorgio in Velabro:   This ancient Romanesque Church houses the relics of St. George, and was once the titular church of Blessed Cardinal John Henry Newman.


·        Santa Anastasia:  We viewed the façade of this church, formerly where the Holy Father would worship on Christmas morning.


·        Circus Maximus:  This was the largest of the many circuses or race tracks, of Rome.  This sits between the Palatine and Aventine Hills.  We had the good fortune of reviving the races here.


  • Santa Maria in Cosmedin:   This Romanesque church is now maintained by Eastern-Rite Catholics.  It houses the skull of St. Valentine, out front, is popular with tourists for the Boca della Verita: the Mouth of Truth.


  • Forum Boarium:  This collection of Republican-era temples sits next to the Tiber River.  We walked past and admired it!


  • Santa Cecilia in Trastevere: This Romanesque church sits atop the ancient home of St. Cecilia, and it is here that she is now buried.  Famous, indeed, is the Maderno statue here that portrays St. Cecilia as she was found in the catacombs.

  • San Crisogono:  This Trinitarian church in the Trastevere neighborhood was the burial site of Blessed Anna Maria Taigi.  The anticipated start of a funeral chased us out rather quickly.


  • Santa Maria in Trastevere:  This Romanesque church was the site of a splendid apse mosaic, the well of oil, and one of the more magnificent stops in the tour of the Trastevere neighborhood.

·        Ponte Sisto:  We crossed the Tiber River on this 15th century bridge, commissioned by Pope Sixtus IV, the same pontiff that had the Sistine Chapel built.


·        Santa Maria in Aracoeli:  This church, wedged next to the Victor Emmanual Monument on the Capitoline Hill, is a beautiful Romanesque structure, and the site of both the tomb of St. Helen and the state of Bambino Jesu.


Sunday, 29 November

  • Gesu e Maria:  On Sunday morning we heard Mass at the parish of Gesu e Maria on the Via del Corso, said by Cardinal de Paolis.  This is an Augustinian church, designed by Carlo Rainaldi, where the Institute of Christ the King offers their Sunday Mass in Rome.

  • Piazza & Porta del Popolo:   This is the north gate of Rome, and adjoining square, striking for its open space and the double domed churches, sits at the north gate of the city of Rome, and was once the site of public executions and the entry way of most pilgrims coming into Rome.  The obelisk in the square was originally brought to Rome by the Emperor Augustus to sit in the Circus Maximus.  The church of Santa Maria del Popolo was, sadly, not open for tours when we passed by.
·        S. Maria in Montesanto:  Looking south from Piazza del Popolo, this is the left of the twin churches.  This was designed by Carlo Rainaldi and completed by Carlo Fontana.

·        S. Maria dei Miracoli:  Looking south from Piazza del Popolo, this is the right of the twin churches.

·        S. Atanasio:  This 16th century Eastern-Rite church sits on Via del Babuino, in a rather smart shopping district.  It is in the care of the Congregation for the Oriental Churches.


  • San Francesco a Ripa:  This 17th century Franciscan church in Trastevere is the site where St. Francis of Assisi once stayed while visiting Rome.  It houses the Bernini statue, Blessed Ludovica Albertoni in Ecstasy.  It is also the burial place of St. Charles of Sezze.

  • Santa Sabina:  This Dominican church on the Aventine Hill is a wonderful example of Romanesque architecture, and is where the Holy Father traditionally says Mass on Ash Wednesday.

  • Ss. Bonifacio e Alessio:  This church on the Aventine Hill marks the site of the home of St. Alexius, the beggar saint who died after living under the stair well of his our family’s home.  This church on the Aventine Hill marks the site of the home of St. Alexius, the beggar saint who died after living under the stair well of his own family’s home.  There is a memorable side chapel featuring the stairs of St. Alexius.  This church is a dramatic mix of architectural styles and eras.

·        San Gregorio Magno:  This church sits on the site of the monastery-home of Pope St. Gregory the Great.  It was from here that St. Augustine of Canterbury was dispatched to preach the Gospel in Anglo-Saxon England.  The church today has many 17th century architectural elements and houses the chair of St. Gregory the Great.

Monday, 30 November

·        San Pietro in Vaticano:  Mass at the tomb of Pope St. Pius X with our chaplain.


·        Vatican Museums:  This world-class museum includes the master-Renaissance works of the Raphael rooms and Sistine Chapel.


·        Piazza di Spagna: The Spanish Steps, near the Spanish Embassy, with the church of S. Trinita dei Monti at the top, is simply a classic Roman scene.


·        Column of the Immaculate Conception:  This column, erected in 1857, commemorates the solemn definition of Pope Blessed Pius IX, and is marked with Old Testament prophecies related to the Blessed Virgin Mary.

·        Via Condotti:  We walked down this street, lined with overpriced, designer shops.

·        Via del Corso:  We visited this road on Sunday, as well – it is the straight road from the Piazza Venezia and the Capitoline Hill in the south to the Porta and Piazza del Popolo at the north gate of the city. It is lined with stylish shops.


·        Santi Ambrogio e Carlo: This large baroque church dedicated to Saints Ambrose and Charles Borromeo is the church of the Lombards (around Milan) in Rome.  It is here that the heart of St. Charles Borrromeo is kept.


·        San Silvestro in Capite: This, the English church in Rome, houses the head of St. John the Baptist in a side chapel.


·        San Claudio: This little church, which features perpetual adoration, houses the tomb of St. Peter Julian Eymard.


·        Santa Maria in Via: This modest church dedicated to Our Lady features a miraculous well and image at the back of the church.  Pilgrims are able to drink from the well!


·        Trevi Fountain: Commissioned by Pope Clement XII, this 18th century fountain is another classic Roman landmark.


·        Santi Vincenzio e Anastasio: This baroque church overlooks the Trevi Fountain, and is the site of the hearts of the popes from Pope Sixtus V to Leo XIII.


  • Santi XII Apostoli: This church, located at the site of the 5th century church, was decorated in the early 18th century by Carlo Fontana.  It houses the tombs of the Apostles, Sts. Philip and James the Lesser, along with Pope Clement XIV.
·        Piazza Venezia:  This grand square sits at the base of the Capitoline Hill, and is the location of the Palazzo Venezia, the former Venetian Embassy, and favorite speech site of Benito Mussolini, and the Victor Emmanuel Monument, the “wedding cake.”  Likewise, the Venetian Church in Rome, San Marco, is on this square.


·        Sant’Andrea della Valle: This is a Theatine church on the Corso Vittorio Emmanuelle.  It is the burial place of Popes Pius II and Pius III; also St. Joseph Mary Tomasi.  It is memorable for its large dome, and the giant paintings of St. Andrew’s martyrdom around the altar.

·        San Lorenzo in Damaso:  This church, originally constructed by the 4th century Pope, St. Damasus I, is now attached to the Palazzo della Cancelleria, the seat of the Apostolic Signatura, and formerly the site of the Papal Chancellery.

Tuesday, 1 December

·        San Paolo fuori le mura: [St. Paul’s outside the walls]: This is the Patriarchal Basilica where Saint Paul the Apostle is buried.  It is memorable for its medallions of all of the popes, and for the splendid courtyard in the front with its statue of Paul.  This church is Romanesque in style, rebuilt in the 19th century imitating the earlier design of the church.


·        Catacombs of San Callisto:  This massive underground Christian cemetery is located on the old Appian Way.  It was in these catacombs that St. Cecilia and a number of Pontiffs were buried.

·        San Sebastiano fuori le mura:  This basilica on the old Appian Way, in addition to acting as the entrance to another set of catacombs, is the burial place of St. Sebastian and home of a bust by Bernini of Jesus Christ.
·        Tomb of Cecilia Matella:  This massive mausoleum on the old Appian Way was converted into a fortress during the medieval era.  Across the street is the ruined Cistercian Gothic church, San Nicola.

On our bus trip to the sites outside the walls that day, we saw, but did not stop at:
·        Pyramid of Caius Cestius: This peculiar monument was built as a memorial to a praetor who died in 12BC, later set into the Aurelian Wall as we see today.
·        Porta di San Sebastiano:  This is the massive gate in the Aurelian Wall of Rome that marks where the Via Appia Antica enters the old city.
·        Baths of Caracalla:  These massive ruins are the site of the bath complex constructed during the 3rd century AD for the Emperor Caracalla.
·        Via Appia Antica:  This is the most famous of the old Roman roads.  Along this road are the Catacombs of San Callisto, San Sebastiano, and just south of the Tomb of Cecilia Matella, a stretch still paved with the original basalt boulders.
·        Church of Domine Quo Vadis: This little chapel is built on the site where St. Peter had his vision of Christ during the persecution of Nero.

All photos courtesy of this blogger's father!

Live well!

Sunday, December 27, 2015

Feast of St. John the Apostle & Evangelist


File:Michelangelo Merisi da Caravaggio - Nativity with St Francis and St Lawrence - WGA04193.jpg
Nativity with San Francesco e San Lorenzo by Caravaggio.

Dum medium silentium tenerent omnia, et nox in suo cursu medium iter haberet, omnipotens Sermo tuus, Domine, de coelis a regalibus sedibus venit.

While all things were in quiet silence and the night was in the midst of her course, Thine Almighty Word, O Lord, leaped down from heaven from Thy royal throne. (Wisdom 18:14-15)

Today is the Sunday within the Octave of Christmas.  Traditionally, on this day, the faithful pause for some theological consideration of the mysteries of the season.  My missal notes, "the sacred liturgy, in revealing to us the supernatural Sonship of our Lord Jesus Christ, which affects our souls more especially at this time of Christmas, makes the Divinity under the aspect of Fatherhood resplendent in our eyes."

In the revised calendar, these considerations are brought into focus with a celebration of the Holy Family -- which this blog will do on its traditional date.



Today, 27 December, is the third day of the Christmas Octave, and the Feast of St. John the Apostle and Evangelist.

He, the brother of St. James, was one of the sons of Thunder, and was known as the "Beloved" Apostle.  He, with St. Peter and St. James had a prominent role as one of the leading Apostles.  Of course, St. John is also notable for having been entrusted with the Blessed Virgin Mary at the Crucifixion: "Behold your mother."  He wrote not only the Holy Gospel according to St. John, but three Epistles and the book of Revelation.  The last of the Apostles to die, and the only one to actually escape martyrdom (though it was not from a lack of trying on persecutors' part).

For more on St. John, you might check out these links:
Old Catholic Encyclopedia: St. John the Evangelist

Catholic Saints Info: St. John the Apostle

Seasonal Customs (Fisheaters): Feast of St. John

Merry Christmas and live well!

Saturday, December 19, 2015

Rules of Etiquette for Gentlemen

 
A Top Hat.


This blogger some years ago wrote a guide to proper etiquette for gentlemen which the gentle reader might enjoy or find edifying, and which is presented below:


COLE'S RULES OF ETIQUETTE FOR GENTLEMEN


A short guide to acting as a proper gentleman


Introduction


                The author’s intent in writing these guidelines is to educate men on how they ought to act as gentlemen in everyday circumstances.  With great disappointment, I perceive that chivalry has almost completely disappeared in our society.  Some of these noble customs can be easily incorporated into the habits of the typical man.  A true gentleman is more than just one in his external actions, however, but in every aspect of his life.  He should strive for the good, live his faith, fulfill his duties with care, and avoid giving offense.  Men: to act as true gentlemen is a challenge.  To you ladies: you should expect and require that you be treated with the respect that is demanded by virtue of that which you are, a lady.

Chapter I: Greetings & Farewells

Section 1: When walking past or greeting someone, a gentleman should address another with some polite and respectful salutation.  "Good (time of day)" is always appropriate, as is "Greetings."  "Howdy" or "Hello" may be used in less formal situations.  "What’s up," and "Hey" are to be avoided.  The use of the other person’s name is always very good, so long as the first name is not employed when speaking to a superior.  Superiors can be greeted using their title:  "Good morning, Doctor."  Clerics should always be addressed by their ecclesiastical title, even if they hold an academic degree.  In certain circumstances, it is acceptable to use a person’s name by itself.  "Sir" or "ma'am" may be used in quite a variety of situations, especially when addressing a superior. When encountering a group of ladies or gentlemen, he should address a greeting to the whole group, such as "Good evening, ladies," rather than address each individually.

Section 2: It is always appropriate to introduce someone with the phrase, "May I present…?"  The correct reply upon meeting someone for the first time is "How do you do?"  The younger man is always presented to the older, and the gentleman to the lady.  It is then the lady or superior who offers his or her hand first.

Section 3: When bidding farewell, such statements as, "Fare [thee] well," "Have a pleasant/good (time of day)," "Good-bye," "Godspeed," and "Good Night," are all suitable and to be used frequently.

Chapter II: Rules of the Hat

Section 1: When greeting a lady, the removal of the hat with a slight bow of the head is suitable.  This should also be used when greeting a superior.  When greeting his equal, a touch of the right hand to the hat brim, or a tip thereof is always in order.

Section 2: A gentleman generally should not wear a hat indoors, except in stores, public buildings, or lobbies.  He should also remove his hat when praying, or when he is speaking to a lady.  If a gentleman is speaking to a lady while in inclement weather, or walking with her, however, it is permissible for him to replace his hat after the initial greeting.


Chapter III: Attire & Appearance

Section 1: A gentleman should always dress in a manner that conveys the respect he should have for himself and those around him.  The same applies to the cleanliness and order of his room, belongings, and person.  A gentleman’s dress should befit the activity he is undertaking, regardless of the dress of his peers or whether he is seen.

Section 2: In addition, a gentleman should hold himself in a dignified manner at all times.  Thus, he should have good posture, and avoid lounging around or slouching.

Chapter IV: Conversation

Section 1: A gentleman should always act as such in conversation.  Needless to say, he should avoid any conversation that would constitute a near occasion of sin, or lack taste or decency, as he would the plague.  When he speaks with a superior or with a lady, the gentleman ought to address the other with such respect as they deserve. 

Section 2: He should also endeavor to speak well and use proper grammar, avoiding slang and nonstandard speech.

Section 3: In addition, the gentleman ought not dominate conversations, but seek to engage all.

Section 4: Finally, he would do well to avoid raising his voice, even if he is extremely distressed.

Chapter V: Dining

Section 1: A gentleman should always act in a restrained, mature, and mannerly fashion while eating.  This is all the more the case in the presence of ladies or superiors. 

Section 2: A gentleman should seek the permission of those already seated before joining them.

Section 3: He should always thank those who serve his meal. 

Section 4: If he rises to obtain something, he should always make certain that no one else is in need of anything.

Section 5: A gentleman should take care never to reach over others during a meal.

Section 6: At the close of the meal, a gentleman should thank whoever cleans up, and be ready himself to assist in cleaning.

Section 7: When a gentleman is taking a lady to a meal, he ought to pay for it, provided circumstances suggest or allow for this.  In group situations, however, no such obligation exists.


Chapter VI: “Acts of Assistance”

Section 1: The gentleman must never keep a lady waiting, and should strive to be punctual with all of his appointments.

Section 2: A gentleman should always be sensitive to the comfort of ladies.  He ought to offer his chair if needed, coat if she may be cold, or umbrella if the weather is inclement.

Section 3: A gentleman should always open doors for ladies, including those of cars.  He should also let ladies and superiors precede him when passing through doorways or entering buildings, unless the way must first be prepared.

Section 4: It is commendable to walk a lady to her destination; of course, he ought to obtain her permission to do so.  The gentleman should, as a rule, walk with a lady or his superior on his right.  Nevertheless, the gentleman should always place himself between a lady or superior and any hazard or annoyance.

Section 5: A gentleman generally should not stop a lady who is walking in order to talk with her.  If he wishes to speak, he should simply ask her permission to join her in walking.  He should take care that he is not keeping a lady in uncomfortable weather.

Section 6: If a gentleman perceives that a lady is carrying something heavy, he should assist her in carrying it.

Section 7: If a lady drops anything, a gentleman should always pick it up and return it to her promptly.

Section 8: If circumstances permit, a seated gentleman should rise to greet or speak with a lady or superior.  He should return to his place only after the lady or superior has been seated.

Section 9: If a gentleman is asked for a favor, he should endeavor to comply, especially if the request comes from a lady, so long as it is possible and/or reasonable to do so.  He must also take care not to be overbearing in offering assistance if it is not desired.



Nota bene: These short rules of etiquette are by no means exhaustive in their scope, and are merely a guideline.  As a further reference, Emily Post’s Etiquette in Society, in Business, in Politics and at Home of 1922 is a valuable resource.  It is available on-line at: Etiquette in Society, in Business, in Politics and at Home by Emily Post
Edition of: © 5.X.2007.

This guide is a revision of the original “Cole’s Rules of Etiquette for Gentlemen,” Sixth Edition, that was written for the men of Christendom College in Front Royal, Virginia.

I would like to thank all those who submitted suggestions for this guide, particularly Professor Jenislawski and a certain Latin professor who will remain nameless.  In particular, I thank Draper Warren for the formatting of this guide and for his enthusiastic support.

Live well!

Thursday, September 24, 2015

Saint Junipero Serra

Juniperro-serra.jpg

Just yesterday, Pope Francis canonized St. Junipero Serra, the 18th-century Franciscan missionary famous for his leadership in establishing the California missions, at the Basilica of the National Shrine of the Immaculate Conception in Washington, DC.

The life of Saint Junipero Serra is a remarkable one that begins in Palma, on the island of Majorca, Spain, where he was born in 1737.  Spanish was actually his second language, growing up in a family that spoke the Majorcan dialect of Catalan.  He joined the Franciscans at the age of 17, and departed for the missions in the New World in 1749.


Statue of St. Junipero Serra in statuary hall in the US Capitol Building.

Despite the ill-effects of a mosquito bite that left him with a swollen leg and his asthma, Saint Junipero served as a missionary and inquisitor in the areas around Mexico City and Guadalajara until his appointment to the California coast in 1768.  Previously missionary territory of the Jesuits, their expulsion by King Charles III opened the area to the Franciscans.  This originally meant simply Baja California in what is now Mexico, but under the direction of Serra, missions would be founded in what is now the State of California.

It was on the California coast, where St. Junipero Serra worked from 1768 until his death in 1784, that he did his most famous work of founding a string of missions up the California coast.  The foundation of the mission at San Diego in 1769 was certainly a great moment in his ministry.

Serra poured out his life to bring the Gospel to the natives of California, often in conflict with civil authorities with far less concern for the good of the locals to whom the missions ministered.  Although his attitude towards the locals, his confidence that they were in need of Christianity and civilization, and his support of a mission system which did much to discipline the native communities, mean that he is a figure of some controversy, it is not without reason that Pope Francis fast-tracked his canonization.  St. Junipero Serra embodies a selfless missionary ideal, and shows clearly that cultural and religious relativism is not compatible with Catholicism and Truth!

For a good article on some of the complexities of the era, you should read: National Catholic Register: Father Junipero Serra's Canonization Provides Chance to Set Record Straight

Mission San Carlos Borromeo de Carmelo
Mission San Carlos: Burial Place of St. Junipero Serra.
["MissionCarmelSEGL2". Licensed under CC BY-SA 3.0 via Commons]


Dying in 1784, St. Junipero Serra is buried at Mission San Carlos Borromeo at Carmel, California, a mission he founded in 1770 south of San Francisco.

For for a brief summary and other details you might note:
Catholics Saints Info: Junipero Serra

For more detailed and comprehensive information on his life:
Official Site, Archdiocese of Los Angeles and Pontifical Commission for Latin America


The Interior of Mission San Carlos
["Mission San Carlos Borromeo de Carmelo (Carmel, CA) - basilica interior, nave" by Nheyob - Own work. Licensed under CC BY-SA 3.0 via Commons]

To visit the official website of his burial place, you might note:
Official Site of the Carmel Mission

Live well!

Wednesday, July 8, 2015

A letter: Confederate Symbols and Honoring Veterans


Confederate Rebel Flag.svg First National flag of the Confederate States of America
Left: The Battle Flag of the Confederate Army of Tennessee.
Right: The First National Flag of the Confederacy, the "Stars and Bars."


The Confederate battle flag was not a civil flag of the Confederacy (though its design was incorporated into the 2nd and 3rd national flags), but a battle flag for Confederate forces.   In a square shape, it was the flag of the Army of Northern Virginia, and as a rectangle, the flag of the Army of Tennessee.  During the war itself, the flag obviously symbolized the armed forces of the Confederate States.

It would become incorporated in the emblem of the Sons of Confederate Veterans in the 1890s; not unexpectedly, as it was a military flag, and the organization sought to commemorate military service.

Later, in the 20th century, the flag was used as a symbol of Southern resistance in the era of racial integration and the Civil Rights movement.

Hence, there are some racists that have used, and do use, the flag, to symbolize racism and white supremacy.  Others use it as a symbol of regional pride and autonomy.  Still others, like the Sons of Confederate Veterans, use it to honor those that sacrificed much for their home states.  Even the Anti-Defamation league, not an organization sympathetic to the memory of Confederate soldiers, notes regarding the flag: "because of the continued use of the flag by non-extremists, one should not automatically assume that display of the flag is racist or white supremacist in nature.  The symbol should only be judged in context." (Cf., ADL: Confederate Flag)

Like the era from which it came, the Confederate Battle Flag is a complex symbol.


Flag of Georgia
Flag of the State of Georgia.


In light of the recent controversy and calls for a kind of purge of symbols associated with the Southern Confederacy, I wrote this letter to my elected officials here in the State of Georgia:

-------------------------------
Dear ------,

Greetings.  I hope this finds you well.

In the summer of 1864, my great-great grandfather, Thomas J. Cole, a lad of 16 years of age from Butts County, Georgia, joined the 3rd Georgia Reserve regiment.  He had never been far from his family’s farm in Middle Georgia – a family farm that did not include any slaves.  That same summer the State of Georgia was being invaded by the armies of US General William T. Sherman.  My great-great grandfather responded to the call of the State of Georgia in that moment of crisis.  While Thomas J. Cole never saw combat action, he did lose a leg to infection and gangrene. [Cf., William Marvel, Andersonville: The Last Depot, pgs. 209-210]

Today I hear calls for the Confederate battle flag and other symbols of the Southern Confederacy to be removed even from Confederate war memorials and cemeteries.  I hear folks call anyone associated with the Southern Confederacy a traitor and a racist.

I am painfully aware of the complex history of a symbol like the Confederate battle flag.  I know that it has been and is used by bigots and hateful men as a symbol of their warped world-view.  I also know that the flag has been and is used by honorable men remembering the sacrifices of their forefathers to home and state.  Indeed the Anti-Defamation League notes on its website: “because of the continued use of the flag by non-extremists, one should not automatically assume that display of the flag is racist or white supremacist in nature.  The symbol should only be judged in context.”  In sum, it is a complex symbol that has to be judged in context.

Regardless of the complexity of certain symbols, however, and the connection of the institution of slavery to the history of the Southern Confederacy, I believe the State of Georgia has a solemn responsibility to honor and defend the selfless service of men like my great-great grandfather.  He was not a slave-owner, and neither was his father.  He responded to a call for help from this state, served with honor, and lost a leg in service to Georgia.  He, while just a boy, responded to Georgia in her moment of need; surely the State of Georgia must continue to honor him, and others like him, who gave life and limb for their home.

We must reject the legacy of slavery and racism that has surely tainted the history of Georgia and the United States.  At the same time, we cannot ignore honor and sacrifice on behalf of this state, even if the cause is not all that it might have been or all that we would wish it to be today.  My great-great grandfather did what this state asked in a moment of crisis; will Georgia today call him a traitor for his service?

I appreciate your service to the State of Georgia, and trust that you will do what you can to ensure that the honor of men like my great-great grandfather doesn’t suffer from this frenzy to demonize everyone and everything associated with the Southern Confederacy.

Very Respectfully,
--------------------------

I think it might be worthwhile to include the account of my great-great grandfather, as told in the book I cited in my letter.

Here is the account from "Andersonville: The Last Depot," by William Marvel (pgs. 209-210):
"Nor were the prisoners the only victims. Sixteen-year-old Thomas J. Cole joined the 3rd Georgia Reserves during Rousseau's cavalry raid, in July [1864]. He had never wandered far from his father's farm in Butts County, midway between Macon and Atlanta, and shoes had never served as part of his daily wardrobe. He arrived at Andersonville with a pair of brogans on, however, and they irritated an insignificant scratch on his left foot, just below the ankle. The nearest he ever came to the stockade was the sentry box, and he did not approach the prisoners' hospital at all, but, just before the evacuation of prisoners began, his foot turned so sore that he had to be relieved from duty. A week later his comrades carried him from his tent over to Sumter Hospital -- the parallel pair of two-story barracks buildings alongside the railroad. In seven weeks the wound had grown to look like a carbuncle, but ten days in the hospital transformed it into a gaping, putrid lesion four inches in diameter. The flesh dropped away to reveal his ankle joint, his lower leg started to swell and ulcerate, and he wailed piteously whenever the doctors tried to touch it.


Cole would survive, however. He would live into the twentieth century and raise five children, but he would have to sacrifice the leg in order to save the rest of his hide."

Live well!